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The Chavín culture had its development nucleus in the Huari Province (Ancash Region), covering various ecological zones, in the view of the lagoon Parón in the natural region of Janca. Some scholars argued that the development of Chavín social complexities coincided with the cultivation of maize and development of agricultural surpluses.
The site was described by early 20th-century Peruvian archaeologist Julio C. Tello as "the birthplace of South American culture", [4] in recognition of its significance as a center of power for the Chavín culture, which he believed was the oldest in the highlands. Chavín de Huántar is located north of modern-day Lima at the confluence of two ...
The culture apparently began in the Peruvian highlands and then spread outward throughout the country. The Chavín culture has very distinctive art styles, particularly in effigy pots, a number of which were in feline shapes. Chavin de Huantar was an important ritual centre for Chavin Culture, dating to around 1,500 BCE. [27]
This theme is found in the art of many other Andean indigenous civilizations. In total, there are 10 sets of eyes, 11 mouths, and 50 snakes within the figure and staffs. As common in Chavin art, there is extreme attention paid to maintaining bilateral symmetry, this naturally creates further contour rivalry in all orientations of the Raimondi ...
The history of South America is the study of the past, particularly the written record, oral histories, and traditions, passed down from generation to generation on the continent of South America. The continent continues to be home to indigenous peoples, some of whom built high civilizations prior to the arrival of Europeans in the late 1400s ...
It was completed before 2000 BC but remained in use until about 1500 BC, before the start of the Chavín culture. Rigorous excavation and research occurred at Cerro Sechin after its 1937 discovery by Tello and Xesspe. [4] He felt that this monument was proof of the influence of the Chavin culture in the Casma Valley.
A detail of the Raimondi Stela, an example of contour rivalry produced by the Chavin culture. This technique was widely practiced by the artists of the Chavín culture of the central Andes about two thousand years ago. An example of this technique from the Chavín is the Raimondi Stela. [1]
The stela of the cactus bearer is a monolith or stele of a single piece of granite, belonging to the Chavín culture of ancient Peru, which remains in its original location on the northwest side of the circular plaza at the archaeological site known as the ceremonial center of Chavín de Huántar in the Ancash region of Peru.