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Second dream: In Matthew 2:13, Joseph is warned to leave Bethlehem and flee to Egypt. Third dream : In Matthew 2:19–20 , while in Egypt, Joseph is told that it is safe to go back to Israel . Fourth dream : In Matthew 2:22 , because he had been warned in a dream, Joseph awakens to depart for the region of Galilee instead of going to Judea .
The flight into Egypt is a story recounted in the Gospel of Matthew (Matthew 2:13–23) and in New Testament apocrypha.Soon after the visit by the Magi, an angel appeared to Joseph in a dream telling him to flee to Egypt with Mary and the infant Jesus since King Herod would seek the child to kill him.
In a tweet from July 2024, Drew Daniel of electronic music duo Matmos described a fictional music genre he encountered in a dream entitled "hit em". Recounted to him by a nondescript woman in the dream, the genre is a type of electronic music "with super crunched out sounds" in a 5/4 time signature with a tempo of 212 beats per minute.
Joseph's Dream is a 1645 oil-on-canvas painting by Rembrandt. It was in the Königliche Schlöss in Berlin until 1830, when it moved to the city's Königliche Museum. It is now in the Gemaldegalerie, Berlin. [1] [2] It portrays Saint Joseph receiving the second of his dreams, warning him of the Massacre of the Innocents (Matthew 2: 13–15). [3]
The medieval manuscript of The Dream of the Rood. The Dream of the Rood is one of the Christian poems in the corpus of Old English literature and an example of the genre of dream poetry. Like most Old English poetry, it is written in alliterative verse. The word Rood is derived from the Old English word rōd 'pole', or more specifically 'crucifix'.
Joseph's Dream, circa 1650–1655. Joseph's Dream is a 1650–1655 oil on canvas painting by Barent Fabritius and other artists in Rembrandt's studio. It is now in the Museum of Fine Arts (Budapest), which purchased it in 1885 from Alois Hauser the Elder's collection in Munich. [1] It had previously been auctioned in Amsterdam in 1755. [2]
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The dream of the beloved was a motif used in another of Dafydd's poems, "The Clock". [9] It was famously the basis of Le Roman de la Rose , but is older than that. Such a dream, together with an interpretation by an old crone, appears in Walther von der Vogelweide 's Dô der sumer komen was , and as far back as Ovid 's Amores . [ 10 ]