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The Swimming Hole (also known as Swimming and The Old Swimming Hole) is an 1884–85 painting by the American artist Thomas Eakins (1844–1916), Goodrich catalog #190, in the collection of the Amon Carter Museum of American Art in Fort Worth, Texas.
Moran lived in New York City until his death on June 8, 1901. He was interred at Woodlawn Cemetery in the Bronx, New York. [7] Although he had given the series of thirteen paintings to his wife several years before, a legal battle ensued after his death over ownership of the paintings: the executor of Moran's estate refused to hand them over, declaring that they were rightfully under his ...
Photograph of Thomas Eakins c. 1882 This is a list of professionally authenticated paintings, drawings, and sculptures by Thomas Eakins (1844–1916). As there is no catalogue raisonné of Eakins' works, this is an aggregation of existing published catalogs. Background During his lifetime, Thomas Eakins sold few paintings. On his death, ownership of his unsold works passed to his widow, Susan ...
It was gifted to the Philadelphia Museum of Art by Graeme Lorimer in 1975. [ 1 ] [ 2 ] The painting depicts a vast, desolate landscape of the Grand Canyon of the Colorado River , mostly in gray and dark brown, extending towards the horizon, where can be seen rocky peaks, canyons and rivers, from a high point of view, while some clouds darken ...
The Grand Canyon of the Yellowstone is an oil on canvas painting created by English-American artist Thomas Moran in 1872. It is credited with increasing the American public's interest in conservation efforts. The painting is on display at the U.S. Department of the Interior Museum.
The Agnew Clinic (or The Clinic of Dr. Agnew) is an 1889 oil painting by American artist Thomas Eakins. It was commissioned to honor anatomist and surgeon David Hayes Agnew , on his retirement from teaching at the University of Pennsylvania .
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The Thinker: Portrait of Louis N. Kenton is an oil painting of 1900 by the American artist Thomas Eakins.It is a depiction of the artist's brother-in-law, Louis N. Kenton (1865-1947), and it has been called "one of Eakins's most memorable portraits". [1]