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In 2022, Kuromi beat her rival in the Sanrio Character Rankings for the first time, placing at number three, while My Melody placed at number five. [197] [198] In February 2023, Sanrio began streaming a series of anime shorts called Kuromi's Pretty Journey introducing Romina, Kuromi's "older sister", as well as other new characters. Episodes of ...
The kawaii aesthetic is characterized by soft or pastel colors, rounded shapes, and features which evoke vulnerability, such as big eyes and small mouths, and has become a prominent aspect of Japanese popular culture, influencing entertainment (including toys and idols), fashion (such as Lolita fashion), advertising, and product design.
My Melody, Kuromi: Rabbits Onegai My Melody: No. 1 and No. 6 Rabbits Bionic Max: These rabbits try to capture Max and take him back to the lab. Ollie Rabbit Wonder Pets! The newest member of the team who wears a knight’s helmet Oswald Rabbit Oswald the Lucky Rabbit: Patty Rabbit Rabbit Maple Town: Pop Rabbit Sweet Valerian: Rabbit Rabbit My ...
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Some of the characters in the series were officially added to the Sanrio canon following the show's initial run. For instance, Kuromi, who appeared in the first season of Onegai My Melody, became an official character of the Sanrio parent franchise in 2005. Several cameo characters from other Sanrio franchises appear in the anime as well.
Sugarbunnies (シュガーバニーズ, Shugābanīzu) are a character duo originally designed in 2004 for Sanrio by Kazumi Fukasawa (深沢和美). [2] [3] The duo are composed of twin bunnies called Shirousa and Kurousa (both born on May 26), who specialize in making sweets and pastries. [4]
Ghost in the Shell: SAC_2045 (Japanese: 攻殻機動隊 SAC_2045, Hepburn: Kōkaku Kidōtai: SAC_2045) is a Japanese original net animation (ONA) series based on the 1980s Japanese manga series Ghost in the Shell by Masamune Shirow, set in the Stand Alone Complex sub-continuity.
Rising Impact (Japanese: ライジングインパクト, Hepburn: Raijingu Inpakuto) is a Japanese manga series written and illustrated by Nakaba Suzuki.It was serialized in Shueisha's shōnen manga magazine Weekly Shōnen Jump from November 1998 to February 2002, with its chapters collected in 17 tankōbon volumes.