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"Night Life" is a song written by country music singer-songwriter Willie Nelson. Nelson was inspired to write the song during one of his trips from his home in Pasadena, Texas, to his work, singing at the Esquire Ballroom in Houston. Due to financial issues, Nelson sold the song to guitar instructor Paul Buskirk for $150.
Lyrics appeared in 1927 in The American Songbag by Carl Sandburg, [12] having come through Gilbert Raynolds Combs. [ 12 ] [ 13 ] Those lyrics are used by Bill Keith and Jim Rooney , [ citation needed ] by James Taylor on his 1972 album One Man Dog , and by The Country Gentlemen on their eponymous 1973 album .
Anne-Marie O’Farrell produced a 1988 version. [11] The Chieftains performed the song on the 1991 album The Bells of Dublin. A version appears on Celtic Woman's 2006 album A Christmas Celebration. Horslips recorded the song on their 1975 album Drive The Cold Winter Away.
Nightlife is the fourth studio album by Irish rock band Thin Lizzy, released on 8 November 1974 by Vertigo Records. It was produced by Ron Nevison and bandleader Phil Lynott , and was the first album to feature the band as a quartet with newcomers Scott Gorham and Brian Robertson on guitars.
"The Party's Over" is a song written and recorded by American country music singer Willie Nelson during the mid-1950s. After arriving in Houston, Texas, Nelson was hired to play for the Esquire Ballroom band, where he would be allowed to close the shows singing the song.
The rate dropped to 6.69% from 6.81% last week, mortgage buyer Freddie Mac said Thursday. Borrowing costs on 15-year fixed-rate mortgages, popular with homeowners seeking to refinance their home ...
From the first few chords we could tell this was going to be emotional. We swear the Labrador Retriever could tell too. His owner, Lauren, was playing "What a Wonderful World" by Louis Armstrong.
The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn." The song was introduced by Wini Shaw in the musical film Gold Diggers of 1935 , [ 1 ] and, in an unusual move, it was used as background music in a sequence in the Bette Davis film Special Agent that same year.