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A detail from Hieronymus Bosch's depiction of Hell (16th century). In Christian theology, Hell is the place or state into which, by God's definitive judgment, unrepentant sinners pass in the general judgment, or, as some Christians believe, immediately after death (particular judgment).
This is the moment in Christian eschatology when Christ judges souls to send them to either Heaven or Hell. [ 1 ] "Doom painting" typically refers to large-scale depictions of the Last Judgement on the western wall of churches, visible to congregants as they left, rather than to representations in other locations or media.
Hieronymus Bosch's 1500 painting The Seven Deadly Sins and the Four Last Things.The four outer discs depict (clockwise from top left) Death, Judgment, Heaven, and Hell. In Christian eschatology, the Four Last Things (Latin: quattuor novissima) [1] are Death, Judgment, Heaven, and Hell, the four last stages of the soul in life and the afterlife.
Christ is shown as judge of the living and dead, his left hand pointing down to Hell, his right up to Heaven. On Christ's right hand is paradise, with angels leading the saved through a beautiful garden into a shining city. In the middle are the broken tombs of the risen dead, come out of their graves to be finally judged.
Articles relating with depictions of Hell in Christianity. Hell is the place or state into which, unrepentant sinners souls are sent. Its character is inferred from teaching in the biblical texts, some of which, interpreted literally, have given rise to the popular idea of Hell.
Hel (1889) by Johannes Gehrts, depicts the Old Norse Hel, a goddess-like figure, in the location of the same name, which she oversees. The modern English word hell is derived from Old English hel, helle (first attested around 725 AD to refer to a nether world of the dead) reaching into the Anglo-Saxon pagan period. [1]
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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.