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The koto (箏 or 琴) is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. [1]
Shamisen are classified according to size and genre. There are three basic sizes: hosozao, chuzao and futozao. Examples of shamisen genres include nagauta, jiuta, min'yo, kouta, hauta, shinnai, tokiwazu, kiyomoto, gidayu and tsugaru. Shamisen used for traditional genres of Japanese music, such as jiuta, kouta, and nagauta, adhere to very strict ...
Popular in Edo's pleasure districts, the shamisen is often used in kabuki theater. Made from red sandalwood and ranging from 1.1 to 1.4 metres (3 ft 7 in to 4 ft 7 in) long, the shamisen has ivory pegs, strings made from twisted silk, and a belly covered in cat or dog skin or a synthetic skin.
In scale on D with auxiliary notes (F) & (C). 1-b2-(b3)-4-5-b6-(b7) Play ⓘ. More recent theory [ 2 ] emphasizes that it is more useful in interpreting Japanese melody to view scales on the basis of "nuclear tones" located a fourth apart and containing notes between them, as in the miyako-bushi scale used in koto and shamisen music and whose ...
John Zorn's Cobra: Tokyo Operations '94 is a live performance of John Zorn's improvisational game piece Cobra, recorded in Tokyo in 1994 featuring Japanese musicians and instruments. The piece had been released in two previous versions on Hathut ( Cobra in 1985) and the Knitting Factory ( John Zorn's Cobra: Live at the Knitting Factory in 1992 ...
The band's first song was an adaptation of the Vocaloid song "Tsuki Kage Mai Ka" (月・影・舞・華, Moon-Silhouette-Dancing-Flower), featuring Kanade on shamisen and Shirakami Mashiro on bass. A video of the recording of the song was published on Suzuhana's personal Youtube page in November 2012, still released under the name Hanafugetsu ...
As one of the few koto performers to perform koto concertos with U.S. orchestras, Obata has been a featured soloist on multiple occasions with orchestras including with Orchestra Nova for San Diego's KPBS in 2010. [1] She has performed koto for television, radio, film, and live theatre. Obata has been a featured performer at harp and folk ...
Yatsuhashi, who was born and died in Japan, was originally a player of the shamisen, but later learned the koto from a musician of the Japanese court. While the instrument was originally restricted to the court, Yatsuhashi is credited as the first musician to introduce and teach the koto to general audiences.
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