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A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
Elements of art – shape, form, value, line, color, space and texture Shape – area defined by edges; Form – perceived volume or dimensionality; Value – use of lightness (tint, or white) and darkness (shade, or black) in a piece of art; Line – straight or curved marks that span a distance between two points. For example, see line art.
Form is a three-dimensional object with volume of height, width and depth. [2] These objects include cubes, spheres and cylinders. [2] Form is often used when referring to physical works of art, like sculptures, as form is connected most closely with those three-dimensional works. [5]
Plastic arts is a term for art forms that involve physical manipulation of a plastic medium by moulding or modeling such as sculpture or ceramics. The term has also been applied to all the visual (non-literary, non-musical) arts .
Form is one of the most frequent terms in literary criticism. It is often used merely to designate a genre or for patterns of meter lines and rhymes. For example, the subject of these two artworks is a bird, though both artworks are created in different styles.
In the visual arts, composition is often used interchangeably with various terms such as design, form, visual ordering, or formal structure, depending on the context. In graphic design for press and desktop publishing , composition is commonly referred to as page layout .
The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts.
Open form is a term coined by Heinrich Wölfflin in 1915 to describe a characteristic of Baroque art opposed to the "closed form" of the Renaissance. [2] Wölfflin tentatively offered several alternative pairs of terms, in particular "a-tectonic" and "tectonic" (also free/strict and irregular/regular), but settled on open/closed because, despite their undesirable ambiguity, they make a better ...