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Almost Human is a 2013 science fiction horror film directed by Joe Begos. His feature film directorial debut , [ 3 ] it premiered on September 10, 2013 at the Toronto International Film Festival and stars Graham Skipper as a man whose best friend may or may not be committing a series of horrific murders.
Almost Human was released on home video in the United States in the early 1980s. [4] On home video, the film was promoted as a horror film due to Lenzi's fame as a director of films such as Cannibal Ferox and Eaten Alive! [4] The film was released on Region 0 NTSC DVD by NoShame films in 2005. The DVD is currently out-of-print. [2]
The website's consensus reads: "Almost Human presents enough action and humor to please both young watchers and fans of the sci-fi genre, but mainstream audiences may find it bland." [29] Metacritic, which uses a weighted average, assigned the film a score of 62 out of 100, based on 30 critics, indicating "generally favorable" reviews. [30]
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Almost Human, an Italian crime film directed by Umberto Lenzi; Almost Human or Shock Waves, an American horror film directed by Ken Wiederhorn; Almost Human, an American sci-fi horror film directed by Joe Begos; Almost Human Inc., a special-effects company owned by Robert Green Hall
In the science-fiction comedy film, a human general confronting a Martian invader is shrunken down and subsequently stepped on and crushed by the invader's foot. [8] Meet Dave: 2008: A spaceship designed like a human male comes to earth and is crewed by tiny aliens that look exactly like humans. [28] Mothra: 1961
Examples of computer clip art, from Openclipart. Clip art (also clipart, clip-art) is a type of graphic art. Pieces are pre-made images used to illustrate any medium. Today, clip art is used extensively and comes in many forms, both electronic and printed. However, most clip art today is created, distributed, and used in a digital form.
Das Geheimnis der Marquisin (The Marquise's Secret, 1922) is a reversed, white-on-black silhouette film. Jack and the Beanstalk (1955), which Reiniger was forced to shoot in colour, uses full-colour painted backgrounds with the black silhouettes, some of which are inlaid with translucent, coloured, "sweet wrapper" material for a stained glass ...
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