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The story begins with the ageing Fionn, leader of the warrior band the Fianna, grieving over the death of his wife Maigneis. His men find that Gráinne, the daughter of High King Cormac mac Airt , is the worthiest of all women and arrangements are made for their wedding.
In The Pursuit of Diarmuid and Gráinne, Gráinne was promised in marriage to Fionn but, repulsed by his age, she forms a relationship with Diarmuid at their betrothal party. At first he refuses out of loyalty to Fionn but she places a geis upon him to run away with her. Their long flight from Fionn is aided by Diarmuid's foster-father Aengus Óg.
Diarmuid is best known as the lover of Gráinne, the intended wife of Fianna leader Fionn mac Cumhaill in the legend The Pursuit of Diarmuid and Gráinne. Among his sons were Donnchadh, Iollann, Ruchladh and Ioruad. [5] Diarmuid Ua Duibhne is said to be the founder of the Scottish Clan Campbell. On the Campbell crest is a boar's head, a ...
In the well-known story "The Pursuit of Diarmuid and Gráinne", Gráinne was betrothed to Fionn, but instead ran off with a young warrior of the fianna, Diarmuid Ua Duibhne. Diarmuid and Fionn were eventually reconciled, but Fionn later contrived Diarmuid's death during a boar hunt, but was shamed by his son Oisín into making amends to ...
O'Grady, Standish Hayes, ed. (1857), "Faghail Craoibhe Chormaic mhic Airt" [How Cormac mac Airt Got his Branch], Toruigheacht Dhiarmuda Agus Ghrainne, Or The Pursuit After Diarmuid O'Duibhne and Grainne, the Daughter of Cormac Mac Airt, King of Ireland in the Third Century, Transactions of the Ossianic Society 3, pp. 212–229
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Eachtach (Ireland) was the daughter of Diarmuid Ua Duibhne and Gráinne. [1] [2] In The Pursuit of Diarmuid and Gráinne the High King Cormac mac Airt promises the aging Fionn mac Cumhail his daughter Gráinne as a bride, but Gráinne falls in love instead with Diarmuid Ua Duibhne. The pair runs away together with Fionn in pursuit.
The part of Diarmuid was played by Benson, Grania by his wife Constance, and Laban by Lucy Franklein. Although the collaboration had been difficult – Yeats and Moore disagreed frequently, mainly about style, and there was therefore no final version for publication – the production was well received.