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"Everybody Hurts" is a song by American rock band R.E.M. from their eighth studio album, Automatic for the People (1992), and released as a single in April 1993 by Warner Bros. Records. It peaked at number 29 on the US Billboard Hot 100 , but fared much better on the US Cash Box Top 100 , where it peaked at number 18.
Other singles charted higher overseas: "Everybody Hurts" charted in the top ten on the United Kingdom singles chart, Canada, and Australia. [ 37 ] A live, harder, version of "Drive" appears on the Alternative NRG , recorded at Athens' 40 Watt Club on November 19, 1992, during an invitation-only concert supporting Greenpeace Action.
The band performed a heartfelt version of the R.E.M. song “Everybody Hurts”, as well as debuting two unreleased compositions: the songs “Radio” and “At Your Side”, with lyrics by Sharon Corr, would eventually go on to be re-recorded and featured on their album In Blue, the following year.
A list of sad songs for the next time you're feeling blue and depressed, including "hope ur ok" by Olivia Rodrigo, "Un-Break My Heart by Toni Braxton" and more.
The song includes references to self-harm and heroin addiction, though the overall meaning of the song is disputed.Some listeners contend that the song acts as a suicide note written by the song's protagonist, as a result of his depression, while others claim that it describes the difficult process of finding a reason to live in spite of depression and pain and does not have much to do with ...
"This track just really got hold of me — took hold of me,” recalls director Jake Scott, who at age 27 was still trying to make "that one video when you knock it out of the park."
REM’s bassist sends an angry tweet after the band’s songs “Everybody Hurts” and “Losing My Religion” are played at one of his rallys: “We are exploring all legal avenues to prevent ...
The album has been certified Gold by the RIAA, meaning it sold over 500,000 copies in the United States. [52] The album, according to Rock Sound, gave Dashboard Confessional "a ton of worldwide exposure." [53] This resulted in Carrabba becoming "the poster boy for the emo resurgence of the early 2000s" and the album "defin[ing] an entire movement."