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"At the Name of Jesus" is a hymn with lyrics written by Caroline Maria Noel. It was first published in 1870, in an expanded version of Noel's collection The Name of Jesus and Other Verses for the Sick and Lonely. At the time, Noel herself experienced chronic illness, which persisted until her death.
1–61: Restoration Number Hymn Words Music Notes 1: The Morning Breaks: Parley P. Pratt: George Careless: 2: The Spirit of God: William W. Phelps: Anon. 3: Now Let Us Rejoice
Pope Benedict XVI, The Apostles. Full title is The Origins of the Church – The Apostles and Their Co-Workers. published 2007, in the US: ISBN 978-1-59276-405-1; different edition published in the UK under the title: Christ and His Church – Seeing the face of Jesus in the Church of the Apostles, ISBN 978-1-86082-441-8. Carson, D.A.
In 1979 John Michael Talbot, a Third Order Franciscan, composed and recorded "Creed" on his album, The Lord's Supper. [62] In 1986 Graham Kendrick published the popular "We believe in God the Father", closely based on the Apostles' Creed. The song "Creed" on Petra's 1990 album Beyond Belief is loosely based on the Apostles' Creed. [63]
The most popular and briefest was "Jesus is Lord" found in 1 Corinthians 12:3; Romans 10:9 and probably in the baptisms referred to in Acts 8:16; 19:5 and 1 Cor 6:11 since their being described as "in the name of the Lord Jesus" certainly seems to imply that "the formula 'Jesus is Lord' had a place in the rite". [9]
"The Morning Breaks, the Shadows Flee" is an 1840 hymn written by Latter Day Saint apostle Parley P. Pratt. The lyrics to the hymn were first published in May 1840 as a poem on the outside cover of the inaugural issue of the Millennial Star, a periodical of the Church of Jesus Christ of Latter Day Saints published in England.
The Epistle of the Apostles (Latin: Epistula Apostolorum) is a work of New Testament apocrypha.Despite its name, it is more a gospel or an apocalypse than an epistle.The work takes the form of an open letter purportedly from the remaining eleven apostles describing key events of the life of Jesus, followed by a dialogue between the resurrected Jesus and the apostles where Jesus reveals ...
The Apostles, like its successor The Kingdom, depicts the disciples of Jesus and their reactions to the extraordinary events they witness. Despite arranging the commission in December 1901, Elgar paid little attention to The Apostles until July 1902, when he had finished composing and rehearsing his Coronation Ode , Op. 44.
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