Search results
Results from the WOW.Com Content Network
Piazza d'Italia by Charles Moore (with Perez Architects), New Orleans. The Piazza d'Italia is an urban public plaza located behind the American Italian Cultural Center at Lafayette and Commerce Streets in downtown New Orleans, Louisiana. It is controlled by the New Orleans Building Corporation (NOBC), a public benefit corporation wholly owned ...
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Located within the CBD is one of the world's most famous pieces of postmodern architecture, Charles Willard Moore's Piazza d'Italia. The district has a number of significant historicist buildings. Perhaps the most notable are the Moorish revival Immaculate Conception Church and the Egyptian revival U.S. Custom House.
Unveiled in 1978 and designed by post-modern architect Charles Moore and Perez Architects of the city, Piazza D'Italia had a few rough years but bounced back with a restoration with results ...
Piazza d'Italia, New Orleans. While at Yale Moore wrote a useful residential design book: The Place of Houses. [12] Clients and designers loved its easy going style and beautiful drawings, but especially its commitment to "placemaking." With Donlyn Lyndon, Moore also founded the journal Places in Berkeley to expound ideas about the genius loci.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
Italian palazzi, as against villas which were set in the countryside, were part of the architecture of cities, being built as town houses, the ground floor often serving as commercial premises. Early palazzi exist from the Romanesque and Gothic periods, but the definitive style dates from a period beginning in the 15th century, when many noble ...
Metaphysical painting (Italian: pittura metafisica) or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which ...