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The song seamlessly transitions into "Leeches" which was described as a "slimy and superficial" ballad. [13] [12] In "Battle of the Larynx", Martinez speaks out against male dominance against female psyche ["larynx" == "voice"]. The song was likened to that of rock music with a "fuzz-toned guitar riff and emphatic beat" and fades into ocean ...
The "War Trilogy" on Midsummer consists of three songs. The first, a love ballad, anticipates the battle; the second portrays the battle; the third looks back on the battle and its results. "Tomorrow I Leave For Battle," lyrics: Philip R. Obermarck, music: Heather Alexander "March of Cambreadth," lyrics & music: Heather Alexander
The song "Belfast Brigade" using alternate lyrics is sung by the Lucky4 in support of the Irish Republican Army. The song "Up Went Nelson", celebrating the destruction of Nelson's Pillar in Dublin, is sung to this tune. The Discordian Handbook Principia Discordia has a version of the song called Battle Hymn of the Eristocracy. [46]
That knowledge formed the basis for the theme of the song which is written as an account of the battle by two shepherds taking contrary views of the events that unfolded. One of the shepherds believes that "the red-coat lads wi' black cockades" routed the rebels, painting a fearful picture of how they managed to "hough the Clans like nine-pin ...
Chorus [5]. The pattern of a strophe (verse) sung in English followed by a burden (chorus) in Latin followed a structure typical of the religious carols of the period. [6]The Agincourt Carol was recorded by The Young Tradition on Galleries, [7] (with both the Early Music Consort and Dave Swarbrick contributing), and by the Silly Sisters (band) (Maddy Prior and June Tabor) on their second album ...
The battle lasted less than fifteen minutes and was a huge boost to Jacobite morale, while a heavily mythologised version of the story entered art and legend. Cope and two others were tried by a court-martial in 1746 and exonerated, the court deciding defeat was due to the 'shameful conduct of the private soldiers'.
The song describes the Battle of New Orleans from the perspective of an American soldier; the song tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle. It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton.
Braes o' Killiecrankie is the name of four distinct folk songs, all originally from Scotland. The version that begins with the line "Whare hae ye been sae braw, lad?" (Roud 8187) is the one discussed here. The versions that begin with the line "Clavers and his highland men" are either the Scots version (Roud 8188) or the USA version (Roud 2572).