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Parker is interested in the parallels between art and science. Before focusing her practice on still-life photography she was trained as an art historian and also produced paintings in the tradition of 17th-century Dutch and Spanish still life works. [3] Parker's photographs of found objects have been described as "poetic and dreamy".
Apache still life. c.1907 by Edward S. Curtis. A modern-day still life photo with red tomatoes. Still life photography is a genre of photography used for the depiction of inanimate subject matter, typically a small group of objects. Similar to still life painting, it is the application of photography to the still life artistic style. [1]
Carl Warner was born in Liverpool, England in 1963. At the age of seven he moved to Kent with his parents and as an only child spent hours in his bedroom listening to music, drawing and creating worlds from his imagination, inspired by the posters on his walls by artists such as Salvador Dali and Patrick Woodroofe and the record sleeve designs of Roger Dean and the work of Hipgnosis.
Stacey was born in 1952. She has worked with major natural history collections since the mid-1980s, reworking and developing the still life genre. [2] Stacey is the recipient of major awards and research grants including the Samstag Scholarship in 1994 to study at the School of Visual Arts in New York.
In 1987, critic Andy Grundberg noted in The New York Times, "In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it." [4]
Fruit and Flowers (1860) by Roger Fenton. Fruit and Flowers is a black and white photograph by English photographer Roger Fenton, taken in 1860.It was part of the still lives series that Fenton did at the Summer of that year, and would be some of his final photographic work, shortly before be leave this activity, in 1862.
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After moving to the United States in 1972 [1], he spent two years working as a photo assistant in New York City and subsequently established his own studio, specializing in still life photography [1]. Since 1979, in addition to his well established commercial work, Kenro began his serious professional commitment to his fine art photography ...
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