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His right hand is raised in blessing. The term Virgin of the Sign or Our Lady of the Sign is a reference to the prophecy of Isaiah 7:14 : "Therefore the Lord himself shall give you a sign; Behold, a virgin shall conceive, and bear a son, and shall call his name Immanuel ".
The Madonna del Rosario, c. 6th century, (70.2 x 40.5 cm). The Madonna del Rosario is an icon of Mary commonly dated to the sixth century or earlier. [1] It is an early version of a type of icon known as the Agiosoritissa or the Maria Advocata, in which Mary is depicted without the Christ Child, with both hands raised.
Orans, a loanword from Medieval Latin orans (Latin: [ˈoː.raːns]) translated as "one who is praying or pleading", also orant or orante, as well as lifting up holy hands, is a posture or bodily attitude of prayer, usually standing, with the elbows close to the sides of the body and with the hands outstretched sideways, palms up.
The original version of the painting had a country landscape in the background, which was removed in a later replica, as it was deemed "non-liturgical". The Hyła rendition is also called the "Kraków Divine Mercy Image" because it is kept in the sanctuary at Kraków-Łagiewniki at the Divine Mercy Sanctuary, Kraków. Many artistic renditions ...
The worshiper, in a long robe and cap, offers an animal to the sun-god Shamash, who rests one foot on a stool and holds the saw of justice in his outstretched hand. The sun disk, nestled in a crescent, floats between the two. The goddess Lama stands with her hands raised in supplication.
Freedom of Worship or Freedom to Worship is the second of the Four Freedoms oil paintings produced by the American artist Norman Rockwell.The series was based on the goals known as the Four Freedoms enunciated by Franklin D. Roosevelt, president of the United States from 1933 to 1945, in his State of the Union Address delivered on January 6, 1941.
The image above reveals the glowing, churning hot plasma comprising the sun's photosphere. Almost all radiation from the sun is emitted from this layer, which has a temperature of 8,100 to 11,000 ...
The Christ figure wears a white robe, and is sitting on a throne, face on, with both hands raised towards his face. Loops around the head suggest a halo. Between his feet is a life sized figure of a man, made diminutive by the colossal scale of the Christ-figure. At the base of the tapestry is a small Crucifixion scene. [4]
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