Search results
Results from the WOW.Com Content Network
A gymnastics apparatus used by women in artistic gymnastics. It is a 4-inch-wide (100 mm) platform upon which gymnasts perform tumbling and dance skills. Ball A gymnastics apparatus used in rhythmic gymnastics. The ball rests in the gymnast's hands, is balanced on the body, and is thrown into the air and caught. Banned skills
The traditional number of asanas is the symbolic 84, but different texts identify different selections, sometimes listing their names without describing them. [3] [a] Some names have been given to different asanas over the centuries, and some asanas have been known by a variety of names, making tracing and the assignment of dates difficult. [5]
Other names include box splits and center splits; in yoga the pose is named Samakonasana. Front splits are executed by extending one leg forward of, and the other leg to the rear of the torso. In dance, a front split is named according to the leg that is extended forward (e.g., the right leg is extended forward when executing a right split).
Singleton argues that Krishnamacharya was familiar with the gymnastics culture of his time, which was influenced by Scandinavian gymnastics; his experimentation with asanas and innovative use of gymnastic jumping between poses may well explain, Singleton suggests, the resemblances between modern standing asanas and Scandinavian gymnastics. [37]
The bridge (also called gymnastic bridge [1]) is an exercise. Many variations of this exercise are employed throughout the world, most commonly the balancing of the body on the hands and the feet. Many variations of this exercise are employed throughout the world, most commonly the balancing of the body on the hands and the feet.
For example, the name Garudasana, Eagle Pose, is used for a sitting pose in the Gheraṇḍa Saṃhitā, 2.37. [4] The name Garudasana is given to a pose close to Vrikshasana in the 19th century Sritattvanidhi; the modern standing pose named Garudasana is not seen until the 20th century. [6] [7] Another issue is the use that is made of a pose ...
Postures in Niels Bukh's 1924 Primary Gymnastics [1] resembling Parighasana, Parsvottanasana, and Navasana, supporting the suggestion that Krishnamacharya derived some of his asanas from the gymnastics culture of his time [2] The name of the pose is from the Sanskrit पार्श्व (parshva) meaning "side", ुत (ut) meaning "intense ...
A similar pose was described in Niels Bukh's early 20th century Danish text Primary Gymnastics as "prone-kneeling position", [4] which in turn was derived from a 19th-century Scandinavian tradition of gymnastics. [5] A different asana, Marjarottanasana, meaning upside-down cat stretch pose, is illustrated in the 19th century Sritattvanidhi. [6]