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The first iteration of Mark Six was a 6-out-of-14 drawing, with a guaranteed jackpot of HK$120,000. At the time, winning the Mark Six jackpot would allow a person to buy an apartment flat in Tsim Sha Tsui, which cost, on average, HK$80,000. [3]
A common motif used in Chinese embroidery and in Chinaware. [12] The butterfly is a symbol of joy and summer. [12] It also implies long life, beauty and elegance. [6] Pair of butterflies Pair of butterflies embroidered on clothing strengthens the energy of love. [6] Love, especially young love; undying bond between lovers. [6] Cicada
[11] [28] Zhang Zao was a Chinese painter, painting theorist and politician during the Tang dynasty, 8th century. [29] He created the method of using fingers instead of brush to draw ink wash painting. [7] Dong Yuan was a Chinese painter during the Five Dynasties (10th century).
Chinese cash coins from every major dynasty in Chinese history and the Republic of China.. Chinese cash coins were first produced during the Warring States period, and they became standardised as the Ban Liang (半兩) coinage during the Qin dynasty which followed.
During the Ming dynasty (1368–1644), Chinese painting progressed further basing on the achievements in painted art during the earlier Song dynasty and Yuan dynasty. The painting techniques which were invented and developed before the Ming period became classical during this period. More colours were used in painting during the Ming dynasty.
Kau chim, kau cim, chien tung, [1] "lottery poetry" and Chinese fortune sticks are names for a fortune telling practice that originated in China in which a person poses questions and interprets answers from flat sticks inscribed with text or numerals.
Two grease pencils Historical diplomatic usage. The grease pencil, a wax writing tool also known as a wax pencil, china marker, or chinagraph pencil (especially in the United Kingdom), is a writing implement made of hardened colored wax and is useful for marking on hard, glossy non-porous surfaces.
Six Persimmons (Chinese: 六柿圖; pinyin: liùshì tú) is a 13th-century Chinese painting by the monk Muqi Fachang. It was painted during the Song dynasty. Muqi was one of the two great exponents of the spontaneous mode of Chinese painting (the other being Liang Kai). It features six persimmons on an undefined background. It is painted in ...