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Jakub Józef Orliński (Polish pronunciation: [ˈjakup ˈjuzɛf ɔrˈlij̃skʲi]; born 8 December 1990) is a Polish operatic countertenor singer and breakdancer.He has performed leading roles with many opera companies, including Metropolitan Opera, Royal Opera House, Warsaw Grand Theatre and Oper Frankfurt.
The Erato recording of Vivaldi's 'Stabat Mater' performed by Jakub Józef Orlinski, Capella Cracoviensis and Jan Tomasz Adamus received the Opus Klassik 2022 award. In May 2018, the ensemble launched a project Haydn - the complete symphonies which aim is to perform and record live Haydn's entire symphonic oeuvre. From 2022, it has also become ...
There is a live video recording of the 2017 production for the Festival D'Aix-en-Provence with Leonardo García Alarcón and the Cappella Mediterranea, starring sopranos Francesca Aspromonte and Susanna Hurrell, countertenors Carlo Vistoli and Jakub Jósef Orlinski, and baritone Alexander Miminoshvili. There is a full version available on YouTube.
Bruno Walter Arturo Toscanini. This is a list of the operas performed by Salzburg Festival during the music directorship of Arturo Toscanini and Bruno Walter (1935–1937). This period was ended by the invasion and annexation of the Republic of Austria by Nazi Germany in March 1938.
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G 3 to D 5 or E 5, [1] although a sopranist (a specific kind of countertenor) may match the soprano's range of around C 4 to C 6. [2]
Heldentenor Ludwig Schnorr von Carolsfeld and his wife, Malvina, in the title roles of Tristan und Isolde, 1865.. A heldentenor (German: [ˈhɛl.dn̩.teˌnoːɐ̯] ⓘ; [1] English: heroic tenor), [2] [3] [4] earlier called tenorbariton, [1] is an operatic tenor voice, most often associated with Wagnerian repertoire.
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"David Daniels" (Andante, 2002), an interview by Jason Serinus with the American countertenor, David Daniels, who describes his early vocal training and the transition from a baritenor voice to that of a countertenor. "Dr. Bennati's Researches on the Mechanism of the Human Voice" (The Edinburgh Medical and Surgical Journal, Vol. 40, 1833 ...