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The "Kraven's Last Hunt" storyline by writer J.M. DeMatteis and artists Mike Zeck and Bob McLeod crossed over into The Amazing Spider-Man #293 and 294. [78] Issue No.298 (Mar. 1988) was the first Spider-Man comic to be drawn by future industry star Todd McFarlane, the first regular artist on The Amazing Spider-Man since Frenz's departure ...
This time Larry Lieber was able to keep up with the schedule, and he drew the daily strip for the following 32 years. The Amazing Spider-Man also employed inkers and separate artists for the Sunday version of the strip. From 1997 until the strip ceased running new material in 2019, Alex Saviuk inked the daily strips and penciled the Sunday ...
The film version of the sequence retains the characterization and tone of the comic book version as Spider-Man draws on his strength to prove that he is worthy of his power. His motivation differs in the film; instead of trying to save Aunt May and honor Uncle Ben, Spider-Man is trying to save innocent people from the Vulture and prove himself ...
The Amazing Spider-Man newspaper comic strip has had many attempts of being collected prior to The Library of American Comics started to publish this series. In the 1980s, two trade paperbacks collecting episodes from the strip's first year; another collection was an anthology collection titled The Best of Spider-Man.
Parts of the issue were drawn over Amazing Spider-Man #47, resulting in a Forrest Gump-type insertion of Deadpool and Blind Al. It is unknown whether the events in Deadpool #11 remain in canon, though the story ended the same way as Amazing Spider-Man #47 did. 48: The Wings of the Vulture! Lee/Romita Sr. Stan Lee: March 1967
The storyline was divided into four months, or "acts", and each month's issues had a different cover tint. The story is in 12 parts. The first act has red tinted covers, the second has blue tinted covers, the third has gray-black covers, and the final act has orange-yellow tinted covers.
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Beginning with issue #3 (July 1966), the title was published bimonthly, continuing in the 25¢-giant format through #33. Through issue #12, Marvel Tales reprinted some of the earliest issues of The Amazing Spider-Man, as well as some of the earliest stories of Thor, Ant-Man, and Fantastic Four member the Human Torch (from his solo feature in Strange Tales).
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