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Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring the name of the Impressionist movement. Impression, Sunrise depicts the port of Le Havre, Monet's
Norham Castle, Sunrise is an oil-on-canvas painting by English painter J. M. W. Turner, created around 1845. The painting depicts Norham Castle, overlooking the River Tweed, the border between England and Scotland. The painting was bequeathed to the National Gallery of British Art (now Tate Britain) as part of the Turner Bequest in 1856.
Sunrise on the Matterhorn is painting by American artist Albert Bierstadt. Done in oil on canvas and depicting the famous Matterhorn, the painting was produced during one of Bierstadt's numerous trips to Switzerland between the years 1867 and 1897. The painting is currently in the collection of the Metropolitan Museum of Art. [1]
List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
The painting measures 155.5 centimetres (61.2 in) by 230 centimetres (91 in) with the top half of the painting dominated by an intense yellow sunrise, symbolising the dawn of a new empire. The eruption of Mount Tambora in April 1815 created magnificent sunrises and sunsets which may have inspired Turner's paintings in this period.
The painting portrays the small businesses and shops of Seventh Avenue in New York City shortly after sunrise. It shows a cloudless sky over a long, red building. A red and blue striped barber pole sits in front of one of the doorways on the right side of the sidewalk, and a green fire hydrant is on the left.
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Cotopaxi is an 1862 oil painting by American artist Frederic Edwin Church, a member of the Hudson River School.The painting depicts Cotopaxi, an active volcano that is also the second highest peak in modern-day Ecuador, spewing smoke and ash across a colorful sunrise. [1]
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