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The Waking Hour is the sole album by English band Dali's Car, a project of Peter Murphy of Bauhaus and Mick Karn of Japan. It was released in November 1984 by record label Paradox, which was created specifically to release the record (it was later reissued on Beggars Banquet ).
"Closing Time" is a song by American rock band Semisonic. It was released on March 10, 1998, as the lead single from their second studio album, Feeling Strangely Fine , and began to receive mainstream radio airplay on April 27, 1998.
[1] Murphy was in need of a collaborator at the time. Around the same time, the bass player Mick Karn , from the art pop band Japan who had split up in 1982, was struggling with his solo career. Despite his musical ability, recorded demos and session work, Karn was struggling to get a record deal since he was mainly interested in making ...
Closing Time, a 1973 album by Tom Waits, or the title song "Closing Time" (Deacon Blue song), 1991 "Closing Time" (Hole song), 1993 "Closing Time" (Semisonic song), 1998 "Closing Time", a song by Leonard Cohen from The Future, 1992 "Closing Time", a song by Lyle Lovett from Lyle Lovett, 1986
Maybe Semisonic is a post-grunge band, but "Closing Time" ain't a post-grunge song. You'd need a source much more concrete than that. Y2kcrazyjoker4 23:36, 17 June 2010 (UTC) Like I said, the song more closely resembles pop rock: see the Sacramento Bee - Y2kcrazyjoker4 23:40, 17 June 2010 (UTC)
Twelve weeks after the Dali cargo ship lost power and crashed into a famed Baltimore bridge, the mammoth vessel will soon leave for repairs – with only a handful of crew on board.
The Early Years is a two-part retrospective album series of Tom Waits songs, consisting of recordings made before Waits' debut album, Closing Time. Volume one was released in 1991 and volume two was released in 1993 on Bizarre/Straight. The recordings were made between July and December 1971.
The Persistence of Memory (Spanish: La persistencia de la memoria) is a 1931 painting by artist Salvador Dalí and one of the most recognizable works of Surrealism.First shown at the Julien Levy Gallery in 1932, since 1934 the painting has been in the collection of the Museum of Modern Art (MoMA) in New York City, which received it from an anonymous donor.