Search results
Results from the WOW.Com Content Network
"Closing Time" is a song by American rock band Semisonic. It was released on March 10, 1998, as the lead single from their second studio album, Feeling Strangely Fine , and began to receive mainstream radio airplay on April 27, 1998.
The song's theme is reputedly based on a bitter relationship and the term "closing time" is often seen as referring to the end of the relationship itself. A more structured and lyrically-coherent version of the song was performed by Hole on various occasions throughout 1994 and 1995, [ 5 ] during their tours promoting Live Through This .
Closing Time, a 1973 album by Tom Waits, or the title song "Closing Time" (Deacon Blue song), 1991 "Closing Time" (Hole song), 1993 "Closing Time" (Semisonic song), 1998 "Closing Time", a song by Leonard Cohen from The Future, 1992 "Closing Time", a song by Lyle Lovett from Lyle Lovett, 1986
The Waking Hour is the sole album by English band Dali's Car, a project of Peter Murphy of Bauhaus and Mick Karn of Japan. It was released in November 1984 by record label Paradox, which was created specifically to release the record (it was later reissued on Beggars Banquet ).
Don't Hug Me I'm Scared (DHMIS) is a British surrealist adult puppet musical horror comedy web series created by Becky Sloan and Joe Pelling. The series is notable for its blending of surrealism and morbid humour with horror and musical elements.
Twelve weeks after the Dali cargo ship lost power and crashed into a famed Baltimore bridge, the mammoth vessel will soon leave for repairs – with only a handful of crew on board.
The songs which were first released posthumously since 1987 have two dates; first indicating the year of creation and second the year of release. [ 1 ] [ 2 ] [ 3 ] The list also has extension with 18 songs that are not counted (as studio recordings) because they were either sang live and never recorded in studio for commercial release, or short ...
[19] The music video for Cohen's song "Closing Time" also won the Juno Award for Best Music Video in 1993. [18] In the original Rolling Stone review, Christian Wright called the album "epic", enthusing " The Future might as easily have been a book: A more troubling, more vexing image of human failure has not been written."