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Persephone and Dionysos. Roman copy after a Greek original of the 4th–3rd century B.C. Marble. Hermitage.. In ancient Greek mythology and religion, Persephone (/ p ər ˈ s ɛ f ə n iː / pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ ˈ k ɔːr iː / KOR-ee; Greek: Κόρη, romanized: Kórē, lit.
Kanisurra (also Gansurra, Ganisurra) [1] was a Mesopotamian goddess who belonged to the entourage of Nanaya. Much about her character remains poorly understood, though it is known she was associated with love. Her name might be derived from the word ganzer, referring to the underworld or to its entrance.
Download as PDF; Printable version; In other projects ... Pages in category "Underworld goddesses" The following 55 pages are in this category, out of 55 total.
For her fourth and final task, Psyche was given a golden box and ordered to travel to the Underworld to retrieve a bit of beauty possessed by Persephone, goddess of spring, and queen of the Underworld. Psyche, believing this last task was impossible, once again decided to take her own life.
"Queen of the Great Earth") [1] [2] [a] was the goddess of Kur, the land of the dead or underworld in Sumerian mythology. In later myths, she was said to rule Irkalla alongside her husband Nergal . Sometimes her name is given as Irkalla , similar to the way the name Hades was used in Greek mythology for both the underworld and its ruler, and ...
Lelwani's primary function was that of the ruler of the underworld. [9] It is assumed that as such he was responsible for determining human lifespans alongside the fate goddesses. [7] It has been proposed that an analogous association between Allani and the fate goddesses Hutena and Hutellura is the reason behind their association in Hurrian ...
The underworld is ruled by Hine-nui-te-pō, the goddess of death and night. Additional occupants include guardians, gods, goddesses, holy chiefs and nobles , and the tūrehu, who are described as celestial, fairy-like people. [2] Rarohenga is predominantly depicted as a place of peace and light. [3]
Ovid frames the tale within the story of Orpheus, whose failure to retrieve his bride Eurydice from the underworld causes him to forsake the love of women in favor of that of boys. When Orpheus plays his lyre , even the trees are moved by the music; in the famous cavalcade of trees that ensues, the position of the cypress at the end prompts a ...