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The pink sandstone Hindu, Jain and Buddhist sculptures of Mathura from the 1st to 3rd centuries CE reflected both native Indian traditions and the Western influences received through the Greco-Buddhist art of Gandhara, and effectively established the basis for subsequent Indian religious sculpture. [4]
The temple is syncretic, built by a Shaiva king and his Buddhist queen, it shows Hindu and Buddhist themes. The monument is a syncretic collection of Buddhist and Hindu arts, as it shows along with Buddha statues and Buddhist artwork, Hindu themes such as Ganga and Yamuna goddesses, kama and mithuna scenes, Panchatantra tales as well as ...
Under the Guptas, Mathura remained primarily a center of Buddhist artistic activity and worship, but a few Hindu sculptures started to appear. [207] The first known creation of the Guptas relating to Hindu art at Mathura is an inscribed pillar recording the installation of two Shiva Lingas in 380 CE under Chandragupta II, Samudragupta's ...
Buddhist art is visual art produced in the context of Buddhism.It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. [1]
The Elephanta Caves contain rock-cut stone sculptures, mostly in high relief, that show syncretism of Hindu and Buddhist ideas and iconography. [7] [10] [11] The caves are hewn from solid basalt rock. Except for a few exceptions, much of the artwork is defaced and damaged. [12]
The Golden Age of Sculpture in Sri Lanka – Masterpieces of Buddhist and Hindu Bronzes from Museums in Sri Lanka, [catalogue of the exhibition held at the Arthur M. Sackler Gallery, Washington, D. C., 1 November 1992 – 26 September 1993].
Some metal statues and decorative items have also survived. Much of the remaining art expresses religious themes, and though some pieces would have been purely decorative, others would have served important functions in the religious life of the Chams, which synthesized elements of Hinduism (especially Saivism), Buddhism and indigenous cults.
In general Jain art broadly follows the contemporary style of Indian Buddhist and Hindu art, though the iconography, and the functional layout of temple buildings, reflects specific Jain needs. The artists and craftsmen producing most Jain art were probably not themselves Jain, but from local workshops patronized by all religions.
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