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Pope Francis (b. 1936). His Holiness (Latin: Sanctitas) is the official style used to address the Roman Catholic Pope.. The full papal title, rarely used, is: . His Holiness (Francis), Bishop of Rome, Vicar of Jesus Christ, Successor of the Prince of the Apostles, Supreme Pontiff of the Universal Church, Patriarch of the West, Primate of Italy, Archbishop and Metropolitan of the Roman Province ...
The "Pontifical Anthem and March" (Italian: Inno e Marcia Pontificale; Latin: Hymnus et modus militaris Pontificalis), also known as the "Papal Anthem", is the anthem played to mark the presence of the Pope or one of his representatives, such as a nuncio, and on other solemn occasions. [1]
The titles of the Bishop of Rome, more often referred to as the papal titles, [note 1] refer to the various titles used by protocol, as a form of addressing or designating a theological or secular reality of the Bishop of Rome (Pope). The Catholic Church believes that they "constitute what has been termed a primacy of honor.
The official style of the Catholic pope in English is "His Holiness Pope [papal name]". 'Holy Father' is another honorific often used for popes. The full title, rarely used, of the Catholic pope in English is: "His Holiness [papal name], Bishop of Rome, Vicar of Jesus Christ, Successor of the Prince of the Apostles, Supreme Pontiff of the Universal Church, Primate of Italy, Archbishop and ...
The Venetian artist Titian painted a portrait of the pope in 1543, and in 1546, the well-known portrait of Paul III with his grandsons Cardinal Alessandro Farnese and Ottavio Farnese, Duke of Parma. Both are now in the Capodimonte Museum in Naples. The military fortifications in Rome and the Papal States were strengthened during his reign. [30]
Papal Solemn Mass celebrated by Pope John XXIII in St. Peter's Basilica in the early 1960s. Note the presence of several assistant priests and ministers, and the mitre and the papal tiaras placed on the altar. The Pope's Pontifical High Mass, when celebrated with full solemnity, was even more elaborate.
It was used to describe a new style of church music, songs that were easy to grasp and more easily singable than the traditional church hymns, which came out of the mass revival movement starting with Dwight L. Moody, whose musician was Ira D. Sankey, as well as the Holiness–Pentecostal movement. [3]
Morgan, Thomas B. (1937) A Reporter at the Papal Court – A Narrative of the Reign of Pope Pius XI. New York: Longmans, Green and Co. Wolf, Hubert (2010), Pope and Devil: The Vatican Archives and the Third Reich. Trans. Kenneth Kronenberg, Cambridge, MA and London, England: The Belknap Press of Harvard University Press.