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Plunkett's "barbecue dress" for Vivien Leigh as Scarlett O'Hara was the most widely copied dress after the Duchess of Windsor's wedding costume, and Vogue credited the "Scarlett O'Hara" look with bringing full skirts worn over crinolines back into wedding fashion after a decade of sleek, figure-hugging styles. [11]
Caroline Amalie of Augustenburg wears a green pinafore dress over a white blouse or a chemise with a ruffled collar. A wide brimmed straw hat protects her face from the sun. Mademoiselle Gonin wears a dark dress with small puffed sleeves, with a ruffled collar and a blue plaid ribbon at the neck. Her hair is styled into small curls at her temples.
The bonnet is smaller than those worn earlier in the decade, and black lace mitts (fingerless gloves) are worn with the white day dress. Hair is worn in wide clusters of short sausage curls. French. Mathilde, Gräfin Lynar wears a brown velvet gown with snug shoulders and lower sleeves, and fullness at the middle of the arm. The waist is darted ...
Leisure dress was becoming an important part of a woman's wardrobe. Seaside dress [3] in England had its own distinct characteristics but still followed the regular fashions of the day. Seaside dress was seen as more daring, frivolous, eccentric, and brighter. Even though the bustle was extremely cumbersome, it was still a part of seaside fashion.
The fashion for women was all about letting loose. Women wore dresses all day, every day. Day dresses had a drop waist, which was a belt around the low waist or hip and a skirt that hung anywhere from the ankle on up to the knee, never above. Daywear had sleeves (long to mid-bicep) and a skirt that was straight, pleated, hank hem, or tiered.
Fashions from La Mode Illustrée show dresses made of contrasting fabrics worn with "shelf" bustles and opera-length gloves, 1887. Princess Alix of Hesse wears a high-necked day dress, 1887. Fashions of 1888 feature full busts, large "shelf" bustles, and wide shoulders. Gloves reach the elbow or slightly above.
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