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  2. Major seventh chord - Wikipedia

    en.wikipedia.org/wiki/Major_seventh_chord

    The major seventh chord, sometimes also called a Delta chord, can be written as maj 7, M 7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added tones, or omissions are usually also superscripted. For example, the major seventh chord built on C, commonly written as Cmaj 7, has pitches C–E–G–B:

  3. Seventh chord - Wikipedia

    en.wikipedia.org/wiki/Seventh_chord

    The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...

  4. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    Suspended chord: M3+d5: Major third, flat five: ... Play ⓘ 5-20: 0 4 7 e 6: Major Magic chord: ... 0 4 7 9: Major Major sixth ninth chord ...

  5. Harmonic seventh chord - Wikipedia

    en.wikipedia.org/wiki/Harmonic_seventh_chord

    The harmonic seventh chord is a major triad plus the harmonic seventh interval (ratio of 7:4, about 968.826 cents [1]). This interval is somewhat narrower (about 48.77 cents flatter, a septimal quarter tone ) and is "sweeter in quality" than an "ordinary" [ 2 ] minor seventh , which has a just intonation ratio of 9:5 [ 3 ] (1017.596 cents), or ...

  6. BACH motif - Wikipedia

    en.wikipedia.org/wiki/BACH_motif

    "b–a–c–h is beginning and end of all music" (Max Reger 1912) In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, B flat, A, C, B natural. In German musical nomenclature, in which the note B natural is named H and the B flat named B, it forms Johann Sebastian Bach's family name.

  7. Seventh (chord) - Wikipedia

    en.wikipedia.org/wiki/Seventh_(chord)

    For example, the seventh of the dominant seventh chord, resolving to tonic, moves downward to the third of the following chord. In the key of C major, the dominant seventh chord would be G 7; the seventh note of this G 7 chord is F, which should resolve downwards to an E in the next bar (typically supported by a C-major chord).

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