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Vocal range plays such an important role in classifying singing voices into voice types that sometimes the two terms are confused with one another. A voice type is a particular kind of human singing voice perceived as having certain identifying qualities or characteristics; vocal range being only one of those characteristics.
The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. [1] The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and tone.
The laryngeal cavity (cavity of the larynx) extends from the laryngeal inlet downwards to the lower border of the cricoid cartilage where it is continuous with that of the trachea. [ 11 ] [ 12 ] It is divided into two parts by the projection of the vocal folds , between which is a narrow triangular opening, the rima glottidis .
A vocal register is a range of tones in the human voice produced by a particular vibratory pattern of the vocal folds. These registers include modal voice (or normal voice), vocal fry, falsetto, and the whistle register. [1] [2] [3] Registers originate in laryngeal function. They occur because the vocal folds are capable of producing several ...
The vocal folds are commonly referred to as vocal cords, and less commonly as vocal flaps or vocal bands. The term vocal cords was coined by the French anatomist Antoine Ferrein in 1741. In his violin analogy of the human voice , he postulated that the moving air acted like a bow on cordes vocales . [ 42 ]
Among vocal pedagogues and speech pathologists, a vocal register also refers to a particular phonation limited to a particular range of pitch, which possesses a characteristic sound quality. [12] The term "register" may be used for several distinct aspects of the human voice: [ 8 ]
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Use of creaky voice across general speech and in singing is termed "vocal fry". Some evidence exists of vocal fry becoming more common in the speech of young female speakers of American English in the early 21st century, [8] with researcher Ikuko Patricia Yuasa finding that college-age Americans perceived female creaky voice as "hesitant, nonaggressive, and informal but also educated, urban ...