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  2. Op art - Wikipedia

    en.wikipedia.org/wiki/Op_art

    Artists create op art in two primary ways. The first, best known method, is to create effects through pattern and line. Often these paintings are black and white, or shades of gray —as in Bridget Riley's early paintings such as Current (1964), on the cover of The Responsive Eye catalog. Here, black and white wavy lines are close to one ...

  3. Bowls (photograph) - Wikipedia

    en.wikipedia.org/wiki/Bowls_(photograph)

    Bowls, also known as Abstraction, Bowls, is a black and white photograph taken by Paul Strand in 1916. The photograph has elements of cubism and abstractionism, and exemplifies his style at the time. [1]

  4. Black Abstractionism - Wikipedia

    en.wikipedia.org/wiki/Black_Abstractionism

    Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.

  5. Houndstooth - Wikipedia

    en.wikipedia.org/wiki/Houndstooth

    The patterns were a reference to Christian Dior's signature tweed suits. [8] Houndstooth patterns, especially black-and-white houndstooth, have long been associated regionally with the University of Alabama (UA). This is because the longtime UA football coach Paul "Bear" Bryant often (though not exclusively) wore black-and-white houndstooth ...

  6. Black and white patterns: Dots on old city maps show the ...

    www.aol.com/black-white-patterns-dots-old...

    J.C. Nichols wrote racial covenants into deeds that forbade sales to Black people and Jews, not just for the present but also into the limitless future. Black and white patterns: Dots on old city ...

  7. Dazzle camouflage - Wikipedia

    en.wikipedia.org/wiki/Dazzle_camouflage

    The abstract patterns in dazzle camouflage inspired artists including Picasso. He claimed credit for camouflage experiments, which seemed to him a quintessentially Cubist technique. [ 3 ] In a conversation with Gertrude Stein shortly after he first saw a painted cannon trundling through the streets of Paris he remarked, "Yes it is we who made ...

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