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Instrument label of Charles Mennégand. Charles Mennégand (19 June 1822 – 9 January 1885) was a French luthier and a repairer of violins, violas, and cellos. He is considered a superb 19th century French maker of cellos and is consistently counted among the handful of great French makers.
Discover the history of the Bolognese School Bolognese Violin Makers 'Up to the first half of the nineteenth century, Violin Making in Italy was in a standstill cycle; yet, during the second half of the century, Raffaele Fiorini it:Fiorini Raffaele gave new impulse to it. Thanks to him, born in Musiano di Pianoro, the luthier's ancient Art was ...
19th-century classical violinists (1 C, 131 P) 19th-century fiddlers (2 C, 1 P) C. 19th-century Canadian violinists and fiddlers (7 P) F. 19th-century French ...
The life of Otello Bignami closely resembles the lives of various 19th-century violin makers in that he drew much vitality from the farming and craft traditions of his origins. He was a student of Gaetano Pollastri , and the possibility to be able to indicate on his instrument labels that he was a student of Pollastri contributed towards ...
Giuseppe Rocca (27 April 1807 – 27 January 1865) was an Italian violin maker of the 19th century. [1] Rocca's preferred models were the 1742 Alard Guarneri and the 1716 Messiah Strad. His instruments are appreciated today and are considered better than those made by his son Enrico Rocca.
Nicolò Gagliano had four sons, all makers — Ferdinando, Giuseppe (Joseph), Antonio, and Giovanni. Giuseppe's three sons Raffaele, Antonio and Nicolò (II) were also violin makers and carried the family's violin-making tradition into the middle of the 19th century. Typical labels: Nicolaii Gagliano fecit in Napoli 1711 Nicolaus Gagliano filius
Thomas Molineux or Thomas Molyneux (Irish: Tomás Ó Maoileagáin; c. 1700 – 25 January 1757) was an Irish luthier and maker of violins from Dublin. [2] [3] His instruments are some of the oldest surviving Irish violins, one of which is housed as part of a collection in the National Museum of Ireland, Dublin.
"Leandro was one of the most influential violin makers and dealers of the late 19th and early 20th centuries. He won important recognition and prizes in International exhibitions in London (1895), Atlanta (1895-96), Turin (1898), Paris (1900), Milan (1906), and Brussels (1910), and in 1905 opened and successfully ran a workshop that can be ...
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