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In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. [1] The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
General resurrection or universal resurrection is the belief in a resurrection of the dead, or resurrection from the dead (Koine: ἀνάστασις [τῶν] νεκρῶν, anastasis [ton] nekron; literally: "standing up again of the dead" [1]) by which most or all people who have died would be resurrected (brought back to life
The resurrection of Jesus (Biblical Greek: ἀνάστασις τοῦ Ἰησοῦ, romanized: anástasis toú Iēsoú) is the Christian event that God raised Jesus from the dead on the third day [note 1] after his crucifixion, starting – or restoring [web 1] [note 2] – his exalted life as Christ and Lord.
There are three explicit examples in the Hebrew Bible of people being resurrected from the dead: The prophet Elijah prays and God raises a young boy from death (1 Kings 17:17-24) Elisha raises the son of the Woman of Shunem (2 Kings 4:32–37) whose birth he previously foretold (2 Kings 4:8–16)
The painting is another mirror to the Middle Ages inscriptions on images related to a Christ on the cross or the Passion of the Lord that would say, “Aspice qui transis, quia tu mihi causa doloris (look here, you who are passing by, for you are the cause of my pain).” [15] In addition to being in front of his open injuries, the fabric ...
Resurrection of Lazarus by Mauricio García Vega. Well known in Western culture from their respective biblical tales, both figures named Lazarus (Lazarus of Bethany and the Beggar Lazarus of "Lazarus and Dives"), have appeared many times in music, writing and art. The majority of the references are to Lazarus of Bethany.
The Gospel of Matthew relates that immediately after Christ died, the earth shook, there was darkness, the veil in the Second Temple was torn in two, and many people rose from the dead, and after the resurrection (Matthew 27:53) walked about in Jerusalem and were seen by many people there. Balthasar says this is a "visionary and imaginistic ...
Mark 16:1–8 probably represents a complete unit of oral tradition taken over by the author. [17] It concludes with the women fleeing from the empty tomb and telling no one what they have seen, and the general scholarly view is that this was the original ending of this gospel, with the remaining verses, Mark 16:9–16, being added later.