Search results
Results from the WOW.Com Content Network
In political philosophy, the means of production refers to the generally necessary assets and resources that enable a society to engage in production. [1] While the exact resources encompassed in the term may vary, it is widely agreed to include the classical factors of production ( land , labour , and capital ) as well as the general ...
Labour power exists in any kind of society, but on what terms it is traded or combined with means of production to produce goods and services has historically varied greatly. [ 2 ] Under capitalism, according to Marx, the productive powers of labour appear as the creative power of capital .
In economics, output is the quantity and quality of goods or services produced in a given time period, within a given economic network, [1] whether consumed or used for further production. [2] The economic network may be a firm, industry, or nation. The concept of national output is essential in the field of macroeconomics.
Productive forces, productive powers, or forces of production (German: Produktivkräfte) is a central idea in Marxism and historical materialism.. In Karl Marx and Friedrich Engels' own critique of political economy, it refers to the combination of the means of labor (tools, machinery, land, infrastructure, and so on) with human labour power.
U.S. farmers struggling with slumping incomes and depressed grain prices have been switching to cheaper generic pesticides and fungicides as they plan for spring planting next year, which market ...
Open manufacturing, also known as open production, maker mamanufacturing or material peer production and with the slogan "Design Global, Manufacture Local" is a new model of socioeconomic production in which physical objects are produced in an open, collaborative and distributed manner [1] [2] and based on open design and open-source principles.
EXCLUSIVE : Fox has fast-tracked a movie adaptation of the Tony-winning Broadway smash musical Spamalot . The studio has Eric Idle writing the script, and they’ve set Casey Nicholaw as director .
Some troops leave the battlefield injured. Others return from war with mental wounds. Yet many of the 2 million Iraq and Afghanistan veterans suffer from a condition the Defense Department refuses to acknowledge: Moral injury.