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At this time, the pelerine was styled as a short cape-like garment, which crossed the chest and fastened to the back of the waist. [ 4 ] Pelerines became particularly popular as a decorative accessory in the early 19th century, when layered muslin pelerines were deemed fashionable in the 1830s , worn draped over the top of the large gigot (or ...
Pelisse finally lost any resemblance to their origins in men's military dress as skirts and sleeves widened in the 1830s, and the increasingly large crinoline skirts of the 1840s and 1850s caused fashionable women to turn to loose mantles, cloaks, and shawls (especially those of Paisley design) instead. The term pelisse did however continue to ...
Women often draped overskirts to produce an apronlike effect from the front. Gowns had low necklines and very short, off-the-shoulder sleeves, and were worn with short (later mid-length) gloves . Other characteristic fashions included a velvet ribbon tied high around the neck and trailing behind for evening in a similar style to Georgian era ...
Short cloaks or capes, usually hip-length, often with sleeves, were worn by fashionable men, usually slung artistically over the left shoulder, even indoors; a fashion of the 1630s matched the cape fabric to the breeches and its lining to the doublet. Long cloaks were worn for inclement weather.
Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into the next century. The characteristic garment of the period was the ruff , which began as a modest ruffle attached to the neckband of a shirt or smock and grew into a separate garment of fine linen, trimmed with lace, cutwork or ...
The big sleeves came from Yorgos. He left me to get on with my own thing for a while, and then when we came back to look at everything that I’d come up with, he was very clear that he wanted ...
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Women: short hair; white hats; [7] trim, feathers, lace; Egyptian and Eastern influences in jewelry and apparel; shawls; hooded-overcoats; hair: masses of curls, sometimes pulled back into a bun; Men: linen shirts w. high collars; tall hats; hair: short and wigless, à la Titus or Bedford Crop, but often with some long locks left coming down ...
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