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Huadian (traditional Chinese: 花鈿; simplified Chinese: 花钿), also known as huazi (Chinese: 花子; lit. 'Little flower'), [1] mianhua (Chinese: 面花), meizi (Chinese: 媚子), [2] plum blossom makeup [3] or plum makeup [4] (Chinese: 梅花妝; pinyin: méihuāzhuāng or Chinese: 落梅妝; pinyin: luòméizhuāng) or Shouyang makeup [3] (Chinese: 壽陽妝), is a form of traditional ...
Face to face with the woman who is Tretchi's Chinese Girl" at Mail & Guardian "'Chinese Girl': The Mona Lisa of kitsch" at The Independent "'I never made money from the Green Lady,' says Tretchikoff's model" at The Guardian "Gaze of the Green Lady" at BBC News "I was the Chinese Girl in Tretchikoff's painting" BBC News.
Mamianqun (simplified Chinese: 马面裙; traditional Chinese: 馬面裙; pinyin: mǎmiànqún; lit. 'horse face skirt'), is a type of traditional Chinese skirt. It is also known as mamianzhequn (simplified Chinese: 马面褶裙; traditional Chinese: 馬面褶裙; lit. 'horse-face pleated skirt'), but is sometimes simply referred as 'apron' (Chinese: 围裙; pinyin: wéiqún; lit. 'apron'), a ...
[135]: 32–59 In the early period of the Jin dynasty, the Jin dynasty court first attempted to impose Jurchen hairstyle and clothes on the Han Chinese population in 1126 AD and in 1129 AD. [ 149 ] : 281 The Hanfu-style clothing was prohibited and the people had to wear a short scarf and left-lapelled clothing; if they did not obey, they were ...
Chinese clothing, including traditional Hanfu, ethnic minority garments, and modern adaptations of indigenous styles, is a vital aspect of Chinese culture and civilization. For thousands of years, Chinese clothing has evolved with dynastic traditions, foreign influences, and cultural exchanges, adapting to the needs of each era. [1]
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
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Moreover, women were encouraged to dress like men and go to work like men did, given that Mao called for a "gender erasure" in order to make "Chinese women in new China." [5] Similar to "Iron Girls," "Strong Women" images were popularized through mass media, such as cartoons and local newspapers. Their appearance was defined by masculinized ...