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The huadian is typically applied on the forehead [3] between the eyebrows; [5] [6] sometimes, it is applied on the cheeks, [1] on the temples, [7] and even on the dimples where this form of make-up became referred as mianye (Chinese: 面靨). [8] Mianye were typically about 1 cm from each sides of the lips and were red in colour. [3]
Female Chinese beauty standards have become a well-known feature of Chinese culture. A 2018 survey conducted by the Great British Academy of Aesthetic Medicine concluded that Chinese beauty culture prioritizes an oval face shape, pointed, narrow chin, plump lips, well defined Cupid's bows , and obtuse jaw angle. [ 1 ]
Moreover, women were encouraged to dress like men and go to work like men did, given that Mao called for a "gender erasure" in order to make "Chinese women in new China." [5] Similar to "Iron Girls," "Strong Women" images were popularized through mass media, such as cartoons and local newspapers. Their appearance was defined by masculinized ...
Face to face with the woman who is Tretchi's Chinese Girl" at Mail & Guardian "'Chinese Girl': The Mona Lisa of kitsch" at The Independent "'I never made money from the Green Lady,' says Tretchikoff's model" at The Guardian "Gaze of the Green Lady" at BBC News "I was the Chinese Girl in Tretchikoff's painting" BBC News.
Mien shiang (Chinese: 面 相; pinyin: miànxiàng meaning face (mien) reading (shiang)) is a physiognomic and fortune-telling practice in Chinese culture and traditional Chinese medicine which purports to determine aspects of person's character, personality, and (future) health by analyzing their face according to the five phases ("wu xing").
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The tradition's philosophical roots can be found in the conception of yangsheng that characterises sex as a small version of primal creative processes; therefore the art of chungongtu depicts less exaggeration of emotions than the Japanese shunga would, and it focuses more on showing foreplay rather than penetration, with an emphasis on emotional harmony.
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