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  2. Palimpsests: Literature in the Second Degree - Wikipedia

    en.wikipedia.org/wiki/Palimpsests:_literature_in...

    The book is also highly regarded for his wide and far-reaching conceptualization of parody. [2] In the book Genette coined the term paratext , which has since become widespread to denote prefaces, introductions, illustrations or other material accompanying the text, or hypotext for the sources of the text.

  3. Paratext - Wikipedia

    en.wikipedia.org/wiki/Paratext

    Literary theorist Gérard Genette defines paratext as those things in a published work that accompany the text, things such as the author's name, the title, preface or introduction, or illustrations. He states, "More than a boundary or a sealed border, the paratext is, rather, a threshold."

  4. Gérard Genette - Wikipedia

    en.wikipedia.org/wiki/Gérard_Genette

    Genette was born in Paris, where he studied at the Lycée Lakanal and the École Normale Supérieure, University of Paris. [1] After leaving the French Communist Party, Genette was a member of Socialisme ou Barbarie during 1957–8. [2] He received his professorship in French literature at the Sorbonne in 1967.

  5. Transtextuality - Wikipedia

    en.wikipedia.org/wiki/Transtextuality

    Transtextuality is defined as the "textual transcendence of the text".According to Gérard Genette transtextuality is "all that sets the text in relationship, whether obvious or concealed, with other texts" and it "covers all aspects of a particular text". [1]

  6. Book design - Wikipedia

    en.wikipedia.org/wiki/Book_design

    Book design is the art of incorporating the content, ... Genette, Gerard (1997). Paratexts; threasholds of interpretation. Cambridge: Cambridge University Press.

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  8. Focalisation - Wikipedia

    en.wikipedia.org/wiki/Focalisation

    Focalisation is a term coined by the French narrative theorist Gérard Genette. [1] It refers to the perspective through which a narrative is presented. Genette focuses on the interplay between three forms of focalization and the distinction between heterodiegetic and homodiegetic narrators.

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