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Pinia was conceived by Vue developer Eduardo San Martin Morote [4] as an exploration of what Vuex could look like in the future. [5] This involved creating a simpler API with "less ceremony" and providing better support for type inference with TypeScript. [6]
This is a list of cultural heritage sites that have been damaged or destroyed accidentally, deliberately, or by a natural disaster.The list is sorted by continent, then by country.
Vue was created by Evan You after working for Google using AngularJS in several projects. He later summed up his thought process: "I figured, what if I could just extract the part that I really liked about Angular and build something really lightweight."
The saying Whom the gods would destroy, they first make mad, sometimes given in Latin as Quos Deus vult perdere, prius dementat (literally: Those whom God wishes to destroy, he first deprives of reason) or Quem Iuppiter vult perdere, dementat prius (literally: Those whom Jupiter wishes to destroy, he first deprives of reason) has been used in English literature since at least the 17th century.
Vue International (/ v j uː / vew, like "view"), is a multinational cinema holding company based in London, England.It operates in the United Kingdom, Ireland and Denmark as Vue, with international operations in Germany (as CinemaxX); Italy (as The Space Cinema); Poland and Lithuania (); Netherlands (Vue Netherlands).
Belgian Congo: 1908–60: Reign of Albert I: 1909–34: World War I: 1914–18 • Invasion 1914 • Atrocities 1914 • German occupation 1914–18: Ruanda-Urundi: 1922–62: Reign of Leopold III
Tibetan sand mandala being ritually swept up by monks. Some artwork is made to be intentionally sacrificed in a ceremonial or ritual process, often by burning. Tibetan sand mandalas are meticulously constructed to visualize Buddhist cosmology, before being swept up and bottled or otherwise ritually disposed
Destroy All Monsters (Japanese: 怪獣総進撃, Hepburn: Kaijū Sō-shingeki, lit. ' Monster All-Out Attack ') is a 1968 Japanese epic kaiju film directed by Ishirō Honda, with special effects directed by Sadamasa Arikawa and supervised by Eiji Tsuburaya.