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Killer Klowns – from the horror films Killer Klowns from Outer Space; Koko the Clown – from Max Fleischer's Out of the Inkwell series of animated cartoons. [1] Krusty the Clown – television clown on the Fox animated television series The Simpsons; Lawrence "Moe" Curls – minor character in Phoenix Wright: Ace Attorney – Justice for All
In Killer Klowns from Outer Space (1988) a character speculates that the titular monsters may have been ancient astronauts that came to Earth centuries earlier and inspired mankind to create the clown figure. In Moontrap (1989), the protagonists find a prehistoric base on the Moon, built by a human-looking species 14,000 years before.
A clown is a person who performs physical comedy and arts in an open-ended fashion, typically while wearing distinct makeup or costuming and reversing folkway-norms.The art of performing as a clown is known as clowning or buffoonery, and the term "clown" may be used synonymously with predecessors like jester, joker, buffoon, fool, or harlequin.
Although Killer Klowns From Outer Space had only modest success with $43 million at the box office, it received surprisingly strong reviews and, through subsequent video releases and late-night ...
Somewhere along the way, clowns went from cheery characters — often the highlight event at kids’ birthday parties — to becoming the stuff of nightmares.
Killer Klowns from Outer Space is a 1988 American science fiction comedy horror film [1] written, directed and produced by the Chiodo Brothers and starring Grant Cramer, Suzanne Snyder, John Allen Nelson and John Vernon. It is the only film written and directed by the Chiodo Brothers, who also created the practical effects and makeup.
Yes, it's true: The fear of clowns is so strong that there's even a phobia called coulrophobia — an extreme or irrational fear of clowns or clown images, signs of which can appear in children as ...
Contemporary clowning is a school of physical comedy that emphasizes interactivity with the audience and surroundings, use of props and a level of absurdity. [1] [2] While it can overlap with the classic white-face school of clowning, the term also refers to a form of experimental comedy that is considered distinct.