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Sustainable art is art in harmony with the key principles of sustainability, which include ecology, social justice, non-violence and grassroots democracy. [1] Sustainable art may also be understood as art that is produced with consideration for the wider impact of the work and its reception in relationship to its environments (social, economic ...
Robert Morris, Observatorium, Netherlands. The growth of environmental art as a "movement" began in the late 1960s and early 1970s. In its early phases it was most associated with sculpture—especially Site-specific art, Land art and Arte povera—having arisen out of mounting criticism of traditional sculptural forms and practices that were increasingly seen as outmoded and potentially out ...
Ecological art is an art genre and artistic practice that seeks to preserve, remediate and/or vitalize the life forms, resources and ecology of Earth. Ecological art practitioners do this by applying the principles of ecosystems to living species and their habitats throughout the lithosphere, atmosphere, biosphere, and hydrosphere, including wilderness, rural, suburban and urban locations.
Land Art Generator Initiative (LAGI), founded by Elizabeth Monoian and Robert Ferry, [1] is an organization dedicated to devising alternative energy solutions through sustainable design and public art [2] by providing platforms for scientists and engineers to collaborate with artists, architects and other creatives on public art projects that generate sustainable energy infrastructures. [3]
"Menina", a wind turbine sculpture model by artist Elena Paroucheva. A renewable energy sculpture is an artwork that produces power from renewable sources, such as solar, wind, geothermal, hydroelectric or tidal.
The 2015 exhibition 'Art Works For Change' aims to demonstrate the options available to reduce emissions and other climate change impacts, such as reducing carbon footprints, [25] conserving energy, [26] and making sustainable transportation choices [27] among others.
Eberhard Bosslet construction drawing La Restinga II, El Hierro, 1983. Julia M. Bush emphasizes the nonfigurative aspect of such works: "Environmental sculpture is never made to work at exactly human scale, but is sufficiently larger or smaller than scale to avoid confusion with the human image in the eyes of the viewer."
Patricia Johanson (September 8, 1940 – October 16, 2024) was an American artist. Johanson is known for her large-scale art projects that create aesthetic and practical habitats for humans and wildlife.
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