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House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture that consisted of Black gay men and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
This page was last edited on 26 February 2023, at 23:56 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Despite the music's limited commercial availability, house records sold in the tens of thousands, and the music was further popularized via radio station 102.7 WBMX-FM, where Program Director Lee Michaels gave airtime to the station's resident DJ team, the Hot Mix 5 (Ralphi Rosario, Mickey "Mixin" Oliver, Scott "Smokin" Silz, Kenny "Jammin ...
The Chicago house music scene exploded as the Hot Mix 5 show and WBMX became the #1 radio show in Chicago, by airing a new sound called house music that was presented by their unique style of turntablism. Mickey Oliver became known by his editing and turntable skills, and Farley, Ralphi and Kenny each had their own unique styles.
Electro house is a genre of electronic dance music and a subgenre of house music characterized by heavy bass and a tempo around 125–135 beats per minute. [1] The term has been used to describe the music of many DJ Mag Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki, and Deadmau5.
Early music was performed commonly as "house concerts"; even Mozart used the format. [19] The lute, an instrument with a "treasure house of music", works best in very small concerts of early music: "The lute is not very loud, and so is not a candidate for Carnegie Hall.
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Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago.The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, [1] an innovation attributed to Chicago artists Phuture and Sleezy D circa 1986.
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