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Culture writer Martin Chilton defines the term "Great American Songbook" as follows: "Tunes of Broadway musical theatre, Hollywood movie musicals and Tin Pan Alley (the hub of songwriting that was the music publishers' row on New York's West 28th Street)". Chilton adds that these songs "became the core repertoire of jazz musicians" during the ...
Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. [1] In Europe, jazz standards and " fake books " may even include some traditional folk songs (such as in Scandinavia) or pieces of a minority ethnic group's music (such as gypsy music ) that have been played ...
The Great American Songbook Foundation is a 501(c)(3) nonprofit organization dedicated to the preservation and promotion of the music of the Great American Songbook.The Songbook Foundation's administrative offices and Songbook Exhibit Gallery are located on the Gallery level of The Palladium at Allied Solutions Center for Performing Arts, a 1,600-seat concert hall in Carmel, Indiana, that ...
Sheet music cover "A Pretty Girl Is Like A Melody" is a popular song written by Irving Berlin in 1919 which became the theme song of the Ziegfeld Follies.The first verse and refrain are considered part of the Great American Songbook and are often covered as a jazz standard.
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John Francis Burke (October 3, 1908 – February 25, 1964) was an American lyricist, successful and prolific between the 1920s and 1950s. [1] His work is considered part of the Great American Songbook. His song "Swinging on a Star", from the Bing Crosby film Going My Way, won an Academy Award for Best Song in 1944.
Michael Jay Feinstein [1] (born September 7, 1956) is an American singer, pianist, and music revivalist. He is an archivist and interpreter for the repertoire known as the Great American Songbook. In 1988, he won a Drama Desk Special Award for celebrating American musical theatre songs.
The song is part of the Great American Songbook, and Alec Wilder included it in his book American Popular Song: The Great Innovators, 1900–1950, even though it was composed two years after that period. Wilder gave two reasons for making this exception: (1) "it is one of the last free-flowing, native, and natural melodies in the grand pop ...