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Giuseppe Verdi. The following is a list of published compositions by the composer Giuseppe Verdi (1813–1901).. The list includes original creations as well as reworkings of the operas (some of which are translations, for example into French or from French into Italian) or subsequent versions of completed operas.
The following is a partial discography of the many audio [1] and video [2] recordings of Giuseppe Verdi's opera, La traviata.Based on the 1848 novel La dame aux Camélias by Alexandre Dumas, fils, La traviata has been a staple of the operatic repertoire since its premiere on 6 March 1853 at the Teatro La Fenice in Venice.
Stiffelio is an opera in three acts by Giuseppe Verdi, from an Italian libretto by Francesco Maria Piave.The origin of this was the novel Le pasteur d’hommes, by Émile Souvestre, which was published in 1838.
This Romantic melodrama is one of Verdi's most tuneful scores. [97] 1853 La traviata (Verdi). The role of Violetta, the "fallen woman" of the title, is one of the most famous vehicles for the soprano voice. [98] 1855 Les vêpres siciliennes (Verdi). Verdi's opera displays the strong influence of Meyerbeer. [99] 1858 Der Barbier von Bagdad ...
The earliest study of Verdi's music, published in 1859 by the Italian critic Abramo Basevi, already distinguished four periods in Verdi's music. The early, 'grandiose' period, ended according to Basevi with La battaglia di Legnano (1849), and a 'personal' style began with the next opera Luisa Miller .
Aida (or Aïda, Italian:) is a tragic opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni.Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini.
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"Libiamo ne' lieti calici" (Italian pronunciation: [liˈbjaːmo ne ˈljɛːti ˈkaːlitʃi]; "Let's drink from the joyful cups") is a famous duet with chorus from Giuseppe Verdi's La traviata (1853), one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors and sopranos.