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2. Khamas (raga) - Wikipedia

   en.wikipedia.org/wiki/Khamas_(raga)

   According to Muthuswami Dikshitar school of music, Khamas is a sampurna raga with no zig-zag notes (no vakra usage). [1] [2] Khamāj (खमाज) of Hindustani Music closely resembles Khamas raga. The Hindi film song ‘Tere Mere Milan Ki’ from the movie Abhimaan is based on Khamaj. [3]

3. Keherwa - Wikipedia

   en.wikipedia.org/wiki/Keherwa

   The popular Hindi film song, Rang Barse Bhige Chunar Wali from Silsila (1981), is also set in Keherwa by film's music composers duo, Shiv-Hari, who are noted classical musicians. [2] The contemporary traditional Eid al-Fitr song for Bengali Muslims , O Mon Romzaner Oi Rozar Sheshe , is also set in Keherwa rhythm.

4. Swaralipi - Wikipedia

   en.wikipedia.org/wiki/Swaralipi

   In the notation of Indian rāga, a solfege-like system called sargam is used. As in Western solfege, there are names for the seven basic pitches of a major scale ( Shadja, Rishabh, Gandhar, Madhyam, Pancham, Dhaivat and Nishad , usually shortened Sa Re Ga Ma Pa Dha Ni).

5. List of film songs based on ragas - Wikipedia

   en.wikipedia.org/wiki/List_of_film_songs_based...

   Song Film Music Composer Singer(s) Lang; Ābhēri (Carnatic) Bhimpalasi (Hindustani) Maname Ganamum [TH - A Raga's Journey 1] Savitri Papanasam Sivan: M. S. Subbulakshmi: Ābhēri / Bhimpalasi "Bina Madhur Madhur Kachhu Bol" Ram Rajya (1943 film) Shankar Rao Vyas Saraswati Rane: Hindi: Ābhēri / Bhimpalasi "Duniya Se Ji Ghabra Gaya" Laila ...

6. Hameer - Wikipedia

   en.wikipedia.org/wiki/Hameer

   Hameer is a nocturnal Hindustani classical raga nominally placed in Kalyan thaat.All the (shuddha swaras (natural notes) along with (teevra madhyam are used in it.Generally, its vaadi swar (the most used, principal note of a raga on which a pause may be taken) is dhaivat and the samavaadi swar (the second-most used important note assisting the vaadi swar) is gandhar.

7. Gamaka (music) - Wikipedia

   en.wikipedia.org/wiki/Gamaka_(music)

   Gamaka (Hindi: गमक / Urdu: گمک) (also spelled gamakam) refer to ornamentation that is used in the performance of North and South Indian classical music. [1] Gamaka can be understood as embellishment done on a note or between two notes. Present-day Carnatic music uses at least fifteen different kinds of ornamentation. [2]

8. Yaman (raga) - Wikipedia

   en.wikipedia.org/wiki/Yaman_(raga)

   Yaman's Jati is a Sampurna raga (ideally, yaman is audav sampoorna raag because of the structure- N,RGmDNR'S' NDPmGRS) and in some cases Shadav; the ascending Aaroha scale and the descending style of the avroha includes all seven notes in the octave (When it is audav, the Aroha goes like N,RGmDNS', where the fifth note is omitted; Pa but the Avaroha is the same complete octave).

9. List of musical symbols - Wikipedia

   en.wikipedia.org/wiki/List_of_musical_symbols

   Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...