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For example, the opening pages of Jon Krakauer's Into Thin Air contain a dramatis personae. Other examples include Worldwar: In the Balance by Harry Turtledove, and The Horus Heresy by various authors. [citation needed] Tamsyn Muir's Gideon the Ninth begins with a dramatis personae.
A playwright or dramatist is a person who writes plays, which are a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than just reading. Ben Jonson coined the term "playwright" and is the first person in English literature to refer to playwrights as separate from poets.
The dramatist may be inspired by a dominant idea or theme in a novel, and produce a work which enshrines that idea but has its own set of characters and incidents. [W]hether the work is a faithful dramatization of the novel or whether it is remote and everything but theme, the playwright will enjoy the copyright protection that is given to an ...
A dramaturge or dramaturg (from Ancient Greek δραματουργός dramatourgós) is a literary adviser or editor in a theatre, opera, or film company who researches, selects, adapts, edits, and interprets scripts, libretti, texts, and printed programmes (or helps others with these tasks), consults authors, and does public relations work.
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Kenneth Burke was an established literary critic who has contributed immensely to rhetoric theory. [1] Originally influenced by Shakespeare and Aristotle's rhetoric, he developed his theory of Dramatism, separating himself from the two by adding the importance of motive.
Dramaturgy is the study of dramatic composition and the representation of the main elements of drama on the stage.. The term first appears in the eponymous work Hamburg Dramaturgy (1767–69) by Gotthold Ephraim Lessing.
Webster has received a reputation for being the Elizabethan and Jacobean dramatist with the most unsparingly dark vision of human nature. Webster's tragedies present a horrific vision of mankind; in his poem "Whispers of Immortality," T. S. Eliot memorably says that Webster always "saw the skull beneath the skin". While Webster's drama was ...