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Let angels prostrate fall. Bring forth the royal diadem, Refrain: and crown him, crown him, crown him, crown him Lord of all! 2 O seed of Israel's chosen race now ransomed from the fall, hail him who saves you by his grace, Refrain 3 Let every tongue and every tribe responsive to his call, to him all majesty ascribe, Refrain
The direction of prostration is not important as Sikhs place emphasis on the omnipresence of God: however, if it is possible, Sikhs tend to prostrate in the direction in which bani (books containing the word of God, such as the Gutka Sahib or Pothi Sahib) are kept. Other prostrations practiced by Sikhs from an Indian culture are touching of the ...
The company of Angels Is praising Thee on high, And mortal men, and all things Created make reply. All glory, &c. The people of the Hebrews With palms before Thee went Our praise and prayers and anthems Before Thee we present. All glory, &c. To Thee before Thy Passion They sang their hymns of praise;
Robert Lowry (March 12, 1826 – 25 November 1899) was an American preacher who became a popular writer of gospel music in the mid-to-late 19th century. His best-known hymns include "Shall We Gather at the River", "Christ Arose!", "How Can I Keep from Singing?" and "Nothing But The Blood Of Jesus".
Hymnology (from Greek ὕμνος hymnos, "song of praise" and -λογία -logia, "study of") is the scholarly study of religious song, or the hymn, in its many aspects, with particular focus on choral and congregational song. It may be more or less clearly distinguished from hymnody, the creation and practice of such song.
A writer of hymns is known as a hymnodist, and the practice of singing hymns is called hymnody; the same word is used for the collectivity of hymns belonging to a particular denomination or period (e.g. "nineteenth century Methodist hymnody" would mean the body of hymns written and/or used by Methodists in the 19th century). [26]
A possible reference to Jewish practices of angelic tongues is 1 Corinthians 13:1 "If I speak in the tongues of men and of angels, but have not love, I am a noisy gong or a clanging cymbal." The distinction "of men" and "of angels" may suggests that a distinction was known to the Corinthians.
"Song for Athene", which has a performance time of about seven minutes, is an elegy consisting of the Hebrew word alleluia ("let us praise the Lord") sung monophonically six times as an introduction to texts excerpted and modified from the funeral service of the Eastern Orthodox Church and from Shakespeare's Hamlet (probably 1599–1601). [4]