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  2. American stoneware - Wikipedia

    en.wikipedia.org/wiki/American_Stoneware

    American Stoneware is a type of stoneware pottery popular in 19th century North America. The predominant houseware of the era, [ citation needed ] it was usually covered in a salt glaze and often decorated using cobalt oxide to produce bright blue decoration.

  3. David Drake (potter) - Wikipedia

    en.wikipedia.org/wiki/David_Drake_(potter)

    Alkaline glaze stoneware, 1857. David Drake (c. 1800 – c. 1870s), also known as "Dave Pottery" and "Dave the Potter," was an American potter and enslaved African American who lived in Edgefield, South Carolina. Drake lived and worked in Edgefield for almost all his life. [1] Drake produced alkaline-glazed stoneware jugs between the 1820s and ...

  4. Category:Stoneware - Wikipedia

    en.wikipedia.org/wiki/Category:Stoneware

    This page was last edited on 10 September 2022, at 16:43 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.

  5. Stoneware - Wikipedia

    en.wikipedia.org/wiki/Stoneware

    Medieval stoneware remained a much-exported speciality of Germany, especially along the Rhine, until the Renaissance or later, typically used for large jugs, jars and beer-mugs. "Proto-stoneware", such as Pingsdorf ware, and then "near-stoneware" was developed there by 1250, and fully vitrified wares were being produced on a large scale by 1325 ...

  6. Adam Weitsman - Wikipedia

    en.wikipedia.org/wiki/Adam_Weitsman

    He developed an interest in art collecting early in life after his father and grandfather discovered two early American stoneware bottles during an excavation project in their scrap yard in 1980. [3] Weitsman began collecting the 19th-century stoneware and owned 60 pieces by 1982. [2] In 1986, Weitsman graduated from Owego Free Academy.

  7. Ridgway Potteries - Wikipedia

    en.wikipedia.org/wiki/Ridgway_Potteries

    Stoneware jug celebrating the Eglinton Tournament of 1839. From 1808 porcelain, that is to say bone china, was produced, in a great profusion of patterns, for which many of the pattern books survive. The styles are typical for the period, with many flowers, landscapes, and some modified Neoclassical and Chinese (or "Anglo-oriental") treatments.

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