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"Teenage Lobotomy" is a song by the American punk rock band Ramones. It was released on their 1977 album Rocket to Russia, and became one of their most popular songs. The song's lyrics are about a teenager who had a lobotomy because of the brain damage caused by overexposure to DDT. The lyrics also outline how this procedure can cause serious ...
The song is among the first pieces written by the band and was originally recorded as a demo that was released on the 2001 expanded edition of the Ramones debut album. [23] " Sheena Is a Punk Rocker" was written by Joey, who explains that the lyrics are about a young female outsider named Sheena who strayed away from the popular disco and surf ...
Its final two songs are bonus studio tracks that are covers, neither of which appeared on a Ramones album previously. "R.A.M.O.N.E.S." is originally by Motörhead, from the group's album 1916; the song was written as a tribute to the Ramones.
The song was later released as a B-side to their single "Why Do You Love Me", and as a regional bonus track on their Bleed Like Me album. "Outsider" (Subterranean Jungle, 1983) – Green Day. The song originally appeared as a B–side to the "Warning" single, and later on the compilation album Shenanigans.
"Teenage Lobotomy" "Blitzkrieg Bop" "I Don't Want You" "Go Mental" "Gimme Gimme Shock Treatment" "You're Gonna Kill That Girl" "Don't Come Close" "I Don't Care" "She's the One" "Sheena Is a Punk Rocker" "Havana Affair" "Commando" "Needles and Pins" (Jackie DeShannon cover) "Surfin' Bird" (The Trashmen cover) "Cretin Hop" "Listen to My Heart"
Genuinely, the first thing I thought after listening to Olivia Rodrigo's new album GUTS (after wiping away my tears) was, 'This album is *soooooo* perfectly teenage girl.' I think we can all agree ...
Furthermore, a clip of Buddy Holly and the Crickets performing on The Ed Sullivan Show can be seen in the music video. While the song celebrates the Ramones' teenage rock and roll memories, it also reflects and criticizes the trend of playing nostalgic songs on radio, rather than focusing on new music. [2]
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