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Ramsgate Sands, also known as Life at the Seaside, is an oil-on-canvas painting by the English artist William Powell Frith, who worked on it from 1851 to 1854.The painting, which depicts a beach scene in Ramsgate, was Frith's first great commercial success: it was exhibited at the Royal Academy summer exhibition in 1854, and bought by Queen Victoria.
Summer Evening on Skagen's Southern Beach (Danish: Sommeraften på Skagen Sønderstrand) is a painting by Peder Severin Krøyer (1851–1909), from 1893, and is counted as one of his masterpieces. [ 1 ] [ 2 ] Krøyer was one of the most notable members of the Danish artistic community known as the Skagen Painters .
The scene is painted with thick impasto, emphasizing the tumultuous waves and uneven sea. To achieve this effect, Van Gogh squeezed paint directly onto the canvas and created texture using his palette knife rather than a traditional brush. This is most visible in the crest of the waves crashing in the painting's foreground.
Israëls tries to capture the carefree atmosphere of the sunny day, with the summer wind, the warm light and the sound of the waves. Donkey riding on the beach was a popular pastime at the time. The painting reflects Israëls' preoccupation with the representation of sunlight. The subject seems almost coincidental.
Reginald Marsh (March 14, 1898 – July 3, 1954) was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. . Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his w
Bathing Boys: 1904–05: Private collection 593: Bathing Boys: 1904–05: The Art Museums in Bergen, Norway. Bergen Art Museum (Rasmus Meyer's collection) 594: Bathing Scene from Åsgårdstrand: 1904/1936: Private collection 595: Venus: 1904–05: Stenersen Museum, Oslo, Norway. A gift from Rolf E. Stenersen to the city of Oslo. 596: House in ...
The painting is a social comedy containing several visual puns. While at first it seems a depiction of decorous behaviour, the three figures in the foreground are rigid and disunited in their arrangement. The fashionably dressed woman is seated with her back to the scene, including Mentone Baths, a gender-segregated bathhouse.
The beach depicted here is probably not in the Channel Islands but near Dieppe, on the Normandy coast. The model was Aline Charigot , his then girlfriend, whom he married in 1890. [ 2 ] The arc of the sitter's dark eyebrows and saucily tilted nose in that pleasant, rosy-cheeked face are common to works by Renoir.
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