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Postmodern music is music in the art music tradition produced in the postmodern era. It also describes any music that follows aesthetical and philosophical trends of postmodernism . As an aesthetic movement it was formed partly in reaction to modernism but is not primarily defined as oppositional to modernist music .
A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new ...
Sociomusicology (from Latin: socius, "companion"; from Old French musique; and the suffix -ology, "the study of", from Old Greek λόγος, lógos : "discourse"), also called music sociology or the sociology of music, refers to both an academic subfield of sociology that is concerned with music (often in combination with other arts), as well as a subfield of musicology that focuses on social ...
Postmodernity (post-modernity or the postmodern condition) is the economic or cultural state or condition of society which is said to exist after modernity. [nb 1] Some schools of thought hold that modernity ended in the late 20th century – in the 1980s or early 1990s – and that it was replaced by postmodernity, and still others would extend modernity to cover the developments denoted by ...
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The Cultural Logic of Late Capitalism: pp. 1–54. Theories of the Postmodern: 55–66. Surrealism Without the Unconscious: 67–96. Spatial Equivalents in the World System: 97–129. Reading and the Division of Labor: 131–153. Utopianism After the End of Utopia: 154–180. Immanence and Nominalism in Postmodern Theoretical Discourse: 181–259.
In music, neoconservative postmodernism is "a sort of 'postmodernism of reaction'", [1] which values "textual unity and organicism as totalizing musical structures" like "latter-day modernists". [2] Neoconservative modernism...critically engages modernism, but rejects it out of hand.
In his 2020 paper Hyperhybridism: Postmodernism is Old but not Old Fashioned [24] Ghasemi develops yet another heir to postmodernism, which he calls hyperhybridism. He formulates a cultural and literary assessment of post-postmodernism and argues that the contemporary era is defined by multidirectionality.